This contraforte is rentable! I have been so lucky in the last few years to get some great gigs but I can’t do every one of them. Many times there are enough bassoon players in the section to cover all of the parts but no one has a contra. So I rent out the contraforte on a short term basis. To rent the horn I need a few weeks notice and the player is required to come to the house for a brief lesson on assembly and maintenance. The rental is for use in California only, pricing is based on the project.
If you are interested in renting the contra just send me a message through the “connect” page
I have a few high school students that ask me about playing bassoon at the next level. They ask me about the conservatory experience and what playing in college is like. This is a big topic and every school is so varied, I can only talk about my time in the San Francisco Conservatory of Music and what my friends have told me about other schools.
Each school has experienced faculty but there are usually a few star teachers in the bunch. At the SF Conservatory the star wind faculty are Steve Paulson for bassoon and Tim Day for Flute. So for bassoon I would highly recommend the conservatory for private lessons and pedagogy alone. Steve Braunstein -contrabassoon for SF Symphony- just started on faculty for contrabassoon and has been really amazing in this past year.
The academics for the Bachelors program is VERY easy. 4 semesters of theory and musicianship and a history class and a few music history classes. The masters program involves a theory and musician review and pro seminars. I had a lot of time on my hands for performance classes and reed making.
The conservatory offers resources to the students (sort of) There is a recording studio that students can rent time in with a technician. The campus has three performance spaces for recitals and there is rumored to be a student development office to help students. For the double reed players there is a reed room with gougers and a profiler and space to store instruments.
The real problem I have with conservatories is the market for orchestral players after school. I tell my students that in most other fields there are some jobs that they can fill, but as a musician we me never be able to make a living. On top of that the San Francisco Conservatory tuition in fall of 2014 is $40,000 per year. FAFSA will help low income families and private lenders offering student loans can sometimes cover the rest of tuition.
What I think is important to know is that most of the big time players teach a private studio on top of their school studios. So a good option may be to attend another school for a “practical degree” while still studying the instrument. That would create a better chance of having a career immediately after school.
If I haven’t scared people away from conservatories yet, then I’ll talk about the process. Applying to any college is one of the hardest parts of the degree; letters of recommendation, a resume, audition dates, audition material, transcripts, and application fees make the process very stressful. The audition itself is usually pretty painless though, since most of the good teachers are also good people. If you really want to have a good chance of being considered it’s important to meet with the teacher a few weeks before the audition and have a lesson (or two)