One of my chamber groups, Keyed Kontraptions has started the season. This season is different due to the Covid outbreak, and so we have moved everything online. We are going to be releasing videos and online concerts performances in the next few months.
We are starting with a favorite piece of ours which is titled ‘Tapas’ by Marc Mellits. This is an eight movement work which is completely modular. The movements can be played in any order or just a few of them can be selected. This is a great way to build a program since we can use movements of this as an opening piece or as the closer. This piece was originally a string quartet which Marc arranged for soprano sax, clarinet, and bassoon trio.
I did an arrangement of the third movement on Steve Reich’s New York Counterpoint for bassoon octet. This is a really interesting clarinet piece that puts emphasis on the bass clarinet lines.
The PDF of the arrangement is here New York Counterpoint Bassoons
Keyed Kontraptions was the ensemble in residence at the University of California Davis Music Department 2019-2020. The residency and concert was originally scheduled to take place in April but due the the pandemic it was postponed.
Last month UC Davis was able to set up a system of low latency audio/video which allowed us to be in separate rooms but play together. This worked great and allowed us to record the concert!
Nomad Session recently finished a large work that took place over multiple concerts. This was a commission from Nick Benavides that he based on different landmarks aspects of San Francisco. The videography was done by Maggie Beidelman.
“What about San Francisco’s tucked away stair cases, community gardens, block sized patches of green and that one “quiet spot” in the neighborhood park with a great view that only a local can lead you to? These are the hidden spaces we are interested in and we believe that there is something more magical waiting to be discovered amidst all the fog that fills this city we call home”
I have entered the limbo phase of my life. I am out of school and practicing all day just waiting for auditions to come up. I’m becoming a full time audition jockey and taking everything that opens. After taking auditions for a few years I realized that I have a problem retaining my audition performance. I can remember the mistakes that I made for a few days, but after months, when I am at the next audition, I try to remember how my last audition went and I have no idea.
So I decided to start an audition journal at my grad school auditions two years ago. Its just a regular composition notebook that I keep in my excerpt binder. I get really into it during an audition and try to document everything possible. Everything from how much sleep I got the night before the audition, how much coffee that I had (for nervous people caffeine can cause shaky hands) and how the audition actually went. Before I even start packing up my instruments I start jotting down what mistakes happened and how I recovered from mistakes.
I have been recommending this to all of my friends who are taking auditions. Even just for posterity’s sake, to look back and laugh at a terrible audition disaster. This is also the best way to record the experience and know in advance how you will react in future auditions.
From my own personal audition journal I found a few patterns evolving. I don’t have stage fright, so I don’t get nervous on stage or during a performance. I do get nervous the morning of an audition but it’s based on logistics.
Like… do i have the perfect reed? did i remember my reeds? do i have the correct check in time? correct date? did i warm up enough? too much? etc.
I also skip breath marks that I have specifically written in. As if after months of practicing this piece of music and logically making a decision of where to breathe, on the spot I have a better solution. So then I am forced to take a breath in a spot that makes no sense whatsoever and is completely jarring.
So outside of the obvious “having mock auditions for friends, family, and teachers” and “recording yourself” and “find many different recordings of the pieces” I would say that the audition journal is the best way to personally track and control yourself in audition settings.
The technology and resources available for making musical instruments is at an all time high. I was very impressed and surprised when I visited the Fox factory and was able to see what went in to making an instrument. I have found some interesting videos on instrument production that range from small scale productions to large factories. This is the whole orchestra in score order being made. Sorry Violas.