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This year was my first IDRS conference yet and it was amazing! I met so many legendary players and nice people. There was an entire room of vendors and instruments to try as well as a room full of music provided by trevco. The bassoon selection was impressive and included:

Püchner

Fox

Moosmann

Walter

Wolf

Schreiber

and oboes were brought by

Marigaux

Buffet

Fox

Püchner

It was odd that even though there were Loree oboes and Heckel bassoon at the conference. Loree and Heckel were not there only their used instruments were sold through other sellers.

Legère reeds were there and many more bassoons were hooked onto some synthetic reeds. Other innovations were brought by Guntram Wolf. They brought a Lupophon and the Contraforte.

Now this is particularly interesting to me because I have been seriously getting into contrabassoon and I feel a strong pull towards the contraforte. I am now raising funds to buy a contraforte to take auditions with. I have a list of repertoire to perform and record on it and was a great treat to get to play another one this week. If you ever get a chence to get your hands on a contraforte, test it! the dynamics, range, note connection is all much easier.

contrafortekris

 

 

Lupophonkris

 

 

 

Baroquecontrabassoonkris

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Woodwind players often try new things to “spice up” their playing. Even new instruments emerge with the amount of experimentation, new compositions, technology, and new materials available. Here are a few of my favorite double reed innovations of the last ten years.

German bassoon system add ons:

Moosmann low A belllow a

wing joint system to high G

high G

more about Robert’s bassoon can be found at his website

http://www.robertronnes.com/MyBassoons.html

Guntram Wolf Instruments

Kontraforte (revised contra bassoon)

kontraforte

Kontraforte

Lupophon (revised bass oboe)

lupophon

more information about Wolf instruments and products can be found at:

http://www.guntramwolf.de/englisch/instrumente.html

Loboe (low A oboe)

Full Oboe Comparison

The new Püchner oboe bell

puchnerbell

Marigaux plexiglass oboe

MarigauxClear

Fox plexiglass bassoon

Fox

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A few years ago, around 2008 I purchased my current bassoon. I had an intermediate bassoon up until that point and I decided to shop around for something new. I was going to attend the San Francisco Conservatory of Music that fall and so I needed an instrument that was going to help me learn.

I had a great time shopping around! I justified to myself that since this instrument was going to be my main instrument for the next few years, I should try as many as I want. I had many bassoons sent to my house to play test and I had a few of the overlap. I used a few different websites as well as a few players that I knew were selling. In total I tried 3 Fox 601s, 2 Heckels, a Püchner 5000, a Moosmann 222A, and a Bell.

I initially really gravitated towards one of the Heckels based on sound alone. However It didn’t have the modern extras that I knew I needed, it didn’t have high E or any rollers. The other Heckel I tried had a very even scale and came with a few amazing bocals but it was very stuffy and and had little projection. The Püchner and Moosamann were actually sort of similar and I was very impressed by the Moosmann. It had many extras , extra keys and such but I found the instrument to be very heavy and the sound took a bit more work to get going. I felt like I had to push make it sing.

As a note about my “process” for testing bassoons. I had each bassoon at my house for at least 5 days. I used different reeds and played a lot of different rep. I also recorded myself for most of my playing as not all of the bassoons overlapped for side by side comparisons. I used a Fox CVX2 on each bassoon but also used the vocals that came with them. Some bassoons sounded much better with their own bocals especially the Heckels. They needed special bocals to help the sound out. (not that all Heckels do)

The 601s were the most fun for me, I was surprised at how different they were from each other. The Fox 601 has a great projection, tone, and it’s very flexible. The Fox had that bright sparkling core of sound that drew me to play the bassoon in the first place. Now between them I found that the oldest one was the better one. The Fox i chose was is from 1997. The others were from 1998 and 2002. I know that the new 601s are a bit different especially with brighter tenor register.

I have a french whisper key, A flat B flat trill key, and the A flick key to whisper key bridge on my bassoon. I have really been impressed with it so far. My playing has completely changed while Ive been in school, and I seem to appreciate it’s sound more and more.