bassoon
Stroboconn
The newest addition to the reed desk is a Stroboconn Tuner. Stephen Paulson has one of these in his bassoon studio at the San Francisco Conservatory of Music. It was always so fun to use his so I started hunting to find one of my own. I ended up finding it on eBay and they continue to pop up from time to time. The tuner is two separate units and they are both quite heavy so shipping was complicated.
The display is on the top unit, it’s arranged like a keyboard and incased behind glass. There is an interesting feature between the “white keys” and “black keys” There is a plaque on the left side of the display which reads: “Instrument in key of” and an adjustable sliding mechanism. The key options are C, Eb, Dd, Bb and F; this is for people playing transposing instruments so they don’t have to do transposing math while they are playing into it.
The bottom unit is for calibration which allows for adjustment in cents. For example some orchestras tune to A=442 which would be the change from 0 (A=440) to 7 on the tuner. This tuner works on tube technology and its my understanding that most of the tuning is done in the lower unit and the top is just the display.
Reed Desk 2.0
St. Louis Symphony Contrabassoon audition
St. Louis Symphony is auditioning Contrabassoonists. The audition is on May 1 and the position starts August 2016. The symphony recently posted the repertoire list, but not yet the sheet music. I’m posting it here because I think it’s useful for people who aren’t taking the audition to see what is on the list. As a student I used to prepare audition lists as if I was going to attend.
The exposition of the second movement of the Mozart Concerto is asked which isn’t typical. Also multiple Shostakovich excerpts are on the list which can be hard to get a hold of.
Bassoon for sale
I have a bassoon up for sale at Midwest Musical Imports and it ready for trials. This bassoon got me into many years of California all state band and orchestra as well as through my conservatory auditions. This would be a good high school bassoon or for a dedicated middle school student.
Stephen Paulson, San Francisco Symphony
This weekend, Stephen Paulson, principal bassoon of the San Francisco Symphony will be playing the Mozart Bassoon Concerto. I am so excited for these two shows (february 5/6) and I’m inviting all of my students! If you are in the bay area this weekend, don’t miss this concert. Find tickets at:
SF Symphony Concert Tickets
Bonna Case
I was shopping for cases after selling my Wiseman case with my Fox bassoon. The Heckel came with a Gewa case, but the tenor and long joint would rub together and was creating some wear to the varnish of the wood. The Gewa case also came with an Altieri case cover which was too loose and uncomfortable to wear. The advantage of the Gewa case is the outside pocket of the case cover was large enough to hold original parts and a folding bassoon stand.
So my first thought was to get another Wiseman case. I had enjoyed mine for many years and now Wiseman has more options for interior colors and a fiberglass version. The big hurdle was the price, which is sort of justified since its kind of on par with luxury travel luggage. Even though the tenor and long joints were stored together I never found that they moved or created damage. I didn’t even mind that the storage was limited. What bothered me was that the case was large and heavy, which made it hard to walk with for a distance.
Some of my friends have the Bonna case and I was curious about it, I went to Forrests to look at them. What surprised me was that it was very light weight and held the bassoon securely in place. I ended up getting one to at least try for a few months, and so far I like it. The bocal storage is small pouches on the floor of the case, it conflicts with my french whisper key so I keep them in a bocal box in my bag. The tenor joint and long joint have a small amount of space between them so they don’t rub. This case doesn’t have a pouch to hold large original parts, so I use a music folder. This case is so far the easiest to use and walk with.
Summer of ’69
Nicolas Lell Benavides is currently a composer in residence with the Elevate Ensemble. He recently wrote a piece titled ‘Summer of ’69’ which is a multimedia work involving projected video and chamber orchestra. This was fun to play and utilized a minimalist composition technique, by giving players short musical games that we would play when cued. This was also my first performance on my new instrument, I picked it up earlier in the week!
Franck Sonata
I finally got to perform the Franck Sonata, which I had just been practicing for fun. This was originally a violin sonata and was such a great piece that cellists began to play it as well. I am playing off of the Jules Desart edition of the Cello Sonata which works on the Contraforte just fine. The Pianist is Britton Day (who is amazing!)
Joseph Colombo B:R:X
San Francisco composer Joe Colombo wrote a great new piece which premiered with the Elevate Ensemble last month. A wind trio for piccolo, oboe, and contraforte drawing inspiration from Beethoven, Ravel and Xenakis (B:R:X)
Conductor: Chad Goodman
Piccolo: Bethanne Walker
Oboe: Sydne Sullivan
Contraforte: Kris King











