Contraforte Bocal

I received a new Contraforte bocal as a late Christmas present this year! When Wolf sends out a contraforte they send it out with one bocal, presumably something well matched to the instrument. This has been their system for a while and reflects in their period instruments as well. Since the instrument is custom made so is the bocal to match it.

One of the great aspects of playing bassoon and contrabassoon is that each player sounds different and unique, part of that is the player and part is the equipment. I also think that changing equipment/reed shape/bocals can make someones playing easier depending on what qualities they like to bring out in their playing. So having one bocal as my default bocal forever with no other option made me a little antsy. I contacted Wolf about 2 years ago and asked if they could make me a second bocal. At the time I was making shorter contraforte reeds and my pitch would travel a little high and so I asked for a longer bocal. Well they asked me why I would want another bocal and what I thought it would change. I honestly was just curious, anything slightly different would have its own characteristics, no two bocals are the same etc.

I was selling some bassoons through Midwest Musical Imports and I asked if they could email Wolf and get this started for me. And it just arrived! So far the obvious characteristics are a lower center of pitch and easier high register. This will be my primary bocal for now to figure out any other differences.

Contrabassoon Reed Case

A few years ago I made my first Contraforte reed case out of tupperware, that case is a little beat up now so I made a new one. This is made from an acrylic box from The Container Store, some thick foam and duco cement. I drilled holes on both sides for air circulation, but I mostly keep my reed cases open when at home.

This case is for Contraforte reeds, but now I’m thinking about making a bassoon reed case. All together this was almost $15 which is still cheaper than the commercially available options.

Bassoon Reed Case

     I moved down to Silicon Valley about a year and changed my reed setup. I never ended up finishing my series about what was on the reed desk, and now there have been many new additions. So I’m going to revive this series. 

Reed Desk

St. Louis Symphony is auditioning Contrabassoonists. The audition is on May 1 and the position starts August 2016. The symphony recently posted the repertoire list, but not yet the sheet music. I’m posting it here because I think it’s useful for people who aren’t taking the audition to see what is on the list. As a student I used to prepare audition lists as if I was going to attend.

The exposition of the second movement of the Mozart Concerto is asked which isn’t typical. Also multiple Shostakovich excerpts are on the list which can be hard to get a hold of.

St Louis Symphony

I finally got to perform the Franck Sonata, which I had just been practicing for fun. This was originally a violin sonata and was such a great piece that cellists began to play it as well. I am playing off of the Jules Desart edition of the Cello Sonata which works on the Contraforte just fine. The Pianist is Britton Day (who is amazing!)

San Francisco composer Joe Colombo wrote a great new piece which premiered with the Elevate Ensemble last month. A wind trio for piccolo, oboe, and contraforte drawing inspiration from Beethoven, Ravel and Xenakis (B:R:X)

Conductor: Chad Goodman

Piccolo: Bethanne Walker

Oboe: Sydne Sullivan

Contraforte: Kris King

SFCM Concert Hall

I am giving a Contraforte Recital at the San Francisco Conservatory of Music on October 25 at 8pm. This is in the main concert hall, open to the public, and free. The program will be..

Brahms Cello Sonata no. 1 e minor

Erb Red Hot Duets for two Contrabassoons

Franck Cello Sonata

Special guests: Britton Day and Shawn Jones