Ive had to ship a few contrabassoons for trials, or for repair; and making a sturdy shipping box is essential. If you do a good job making a shipping box, it will last for the entire time you have the instrument, and you will not be at the mercy of the postal service’s packing job. This is for a Wolf Kronwalt contrabassoon which is compact compared to other contra cases, so you might buy a little more material than what I used here.

I used 7 pieces of 1” thick 2’x2′ foam board, this is used for wall insulation.

2 heavy duty large double corregated cardboard boxes. The cardboard dimensions don’t matter as long as you have enough to cover the instrument sides, but it must be double corregated “heavy duty”

And Gorilla tape. Like most duct tape, it does a better job of sticking to itself than to anything else, so wrap around a complete loop aroound the box and onto itself. The end result of this is going to be a “tape monster” so I used 2 rolls.

I taped 2 panels along their edges to cover the large sides

I snapped 1 panel in half to cover the top and bottom.

Snapped 2 panels in half, taped their short edges together to cover the slender sides. Then i trimmed down the height.

This roughly fit around the outside of the case. Next I more closely fit padding inside of this shell.

The shell of padding has some gaps as this is not an entirely square case, so I added an extra internal layer of foam fitted to the shape of the case. Around the handles especially need a extra layer, to push the outside layer flush over the handle will make the padding take a rounded shape.

Hard to see when it’s all together, but each side has contact with multiple small pads attached inside of the larger pad. This will help if the package is ever dropped onto an edge or corner, the weight will distribute to multiple sides.

Taped up the seams, taping in loops and attaching the tape to itself.

Detached the box at its glued seam, and bent it around the outside of the foam. Pulled it tight and taped it.

After this I added 1 panel from the second box to cover the top and bottom. (forgot to take a photo)

Tape monster. I think that the tape really makes the cardboard firmer and hold up better, especially to water and deformation from having other things stacked on top of it.

Sundowning II by Lily Chen was written for Keyed Kontraptions in 2018. She based the subject matter on her own personal experience with her grandmother, and the changes that occured with her dimentia. Here is an excerpt from the forward of the piece:

“Sundowning is a neurological phenomenon most commonly seen in sufferers of Alzheimer’s disease. Patients with sundowning usually begin to show behavioral problems after the sun sets. Sometimes they get agitated, restless, or even aggressive; sometimes they suffer from auditory hallucination, illusion, or even delusional disorder. Such syndrome visited my aged grandmother, which put her in a state of mood swings, mental confusion, and cognitive disorder. I found her physical functions obviously degenerating; she even lost her sense of hearing the week before her death.”

“Largo al factotum” from the Barber of Seville, this is one of the six arias from the opera that have been set as a bassoon duet. The first time I played this was at a fiend’s bassoon recital. This is a flashy aria, but the others are more lyrical and all of them are comical!

Here is an arrangement of Leonard Bernstein’s Candide Overture.

I had the opportunity to play a run of the entire prediction a few years ago. It was a reduced version and from my vantage point in the pit I could watch the whole show as it was going on, so I had a lot of fun. Throughout the comic operetta the characters individually going through harrowing ordeals that end up turning out for the better, with each of them better off than they began. The over arching message of the show is “We live in the best of all possible worlds”

PDF to the Score is here Candide Bassoons

I arranged the first movement of Widor’s Organ Symphony for 4 bassoons and 2 contrabassoons. This piece has been a favorite of mine for a long time and I always wanted to do an arrangement but it didn’t seem possible. I finally got around to doing it and I think it turned out pretty good.

The first bassoon. part has high F, F# and G so it would be good to have a high note setup to play the Bassoon 1 part. Here is the PDF of the score and parts.

Widor Organ Symphony 5 Bassoons PDF

This is my arrangement of Symphony Fantastique movement 4, March to the Scaffold. This contains a passage which is one of our great bassoon excerpts, originally it’s for the entire bassoon section to play as a 4 player soli. But I set it here as 3 bassoons 1 contra with the other parts playing the pizz. string lines. I think that this arrangement would also work if played on all bassoons without contras.

Symphony Fantastique PDF

Heitor Villa-Lobos wrote a series of 9 suites inspired by the composition style and harmonic procedures of JS Bach. Each of them is set with a different instrumentation and include traditional Brazilian folk tunes as well as popular melodies from 1930-1940.

Number 5 is for soprano and an orchestra of cellos. The original cello parts are divided into 4 cello parts with 2 players playing each part. In my video I stop before the middle section (because I didn’t want to deal with looping myself tempo changes)

Bachianas Brasileiras no 5 pdf